Monkey Spoon, Kim Foster Gallery, New York, NY 2011.
Memory, Curator, Helen Klisser During, Westport Art Center, Westport, CT, 2010.
One for the Road - a group show, curator, Carl Van Brunt, Van Brunt Gallery, Beacon, NY, 2010
Painting with Pictures, Curator, David Gibson,Casita Maria Art Gallery,Bronx, NY, 2010.
25th Anniversary Exhibition, Lehman College Art Gallery, Bronx, NY, 2010.
Fresh Paint, Curator, Lynn Stein, Rockland center for the Arts, West Nyack, NY, 2010.
Paper in the Wind 3, Curator, David Gibson, 532 Gallery Thomas Jaekel, New York, NY, 2009.
RUBBISH! Art and the Ecosystem, Curator, Julia Dixon, The Arts Exchange, White Plains, NY, 2009
Black Madonna, HP Garcia Gallery, New York, NY (Curated by Lisa Paul Streitfeld and HP Garcia)
Designing Intelligence?: Intelligent Design Project IV, FAU Galleries, Boca Raton, FL. 2009.
Apocalyptic Pop, Curated by Kathleen Goncharov, The Dorsky Curatorial Program, Long Island City, NY, 2008.
The Super Thing, a DEVO Inspired Art Show , 3RD WARD GALLERY - Brooklyn, NY, 2008.
Deep Pop, Curated by Andrew Michael Ford, Kenneth Chapman Gallery, Iona College, New Rochelle, NY, 2008.
Bridge Art Fair, with Van Brunt Gallery, Kasia Kay Art Projects and Bleu Acier, Miami, FL, 2007
Skin City: The Art of the Tattoo, Amanda Cooper, curator, The Arts Center, St. Petersburg, Fl, 2007
De.pic.tion, Finestra Art Space, Chicago, IL, 2007
Intelligent Design Project III, Kasia Kay Art Projects, Chicago, Il, 2007.
Intelligent Design Project II, Museum of New Art, Detroit, MI, 2007.
In the Mix, Ann Street Gallery, Newburgh, NY, 2007.
Singularity in the Communal Tide (Culture + Identity in the Moment, Baird Center's Pierro Gallery, South Orange, NJ, (Curated by Rupert Ravens), accompanying catalog, 2007.
Cursive 2, Art Commune, Curated by Thalia Vrachopoulos and Shin-yi Yang, Hong Kong, 2007.
Stanford Kay, D. Dominick Lombardi and Stephen Niccolls, Van Brunt Gallery, Beacon, NY, 2007
Red Dot Art Fair, Kasia Kay Art Projects, New York, NY, 2007.
Intelligent Design Project, Silvermine Guild Galleries, New Canaan, CT, 2007.
Scope Miami 2006 with Kasia Kay Art Projects, and Aqua Art Miami, Aqua Hotel with Lisa Boyle Gallery, Miami, FL, 2006.
Strange Brew: Alejandra Villasmil and D. Dominick Lombardi, Repetti Gallery, L.I.C., NY,2006.
Quantum Circus, SooVAC, Minneapolis, MN, 2006.
Groovy, First Run, New York, NY, 2006.
the lab gallery, The Roger Smith Hotel, New York, NY, Scapes, 2006.
Summer Gallery Exhibition, KKAP kasia kay art projects gallery, Chicago, Il, 2006.
Kaleidoscope, The Basement Gallery, Knoxville, TN, 2006.
Revisionist History; Getting the Story Straight, Dam/Stuhltrager Gallery, Brooklyn, NY, 2006.
Paul Sharpe Contemporary Art, New York, NY 2006.
Aqua Art Miami, Aqua Hotel, Lisa Boyle Gallery, Miami, FL, 2005.
Me, Myself and My Emotions, Tastes Like Chicken Art Space, Brooklyn, NY, (curated by Rachel Phillips and Linda Dennis), 2005.
Edgy and Elegant, The Arts Exchange, White Plains, NY, (curated by Rosemary Erpf), 2005.
INKED!, Marshall Arts, Memphis, TN, (curated by Koan Jeff Baysa), 2005.
Peel Sessions, Citrus at Hotel Valencia Riverwalk, San Antonio, TX, (curated by Anjali Gupta), 2005
INKED!, The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, accompanying catalogue, 2005.
Stray Show, Lisa Boyle Gallery, Chicago, Il, 2005.
NOVA, Lunarbase Gallery, Chicago, IL, 2005.
CIGE/China International Gallery Exposition, Broadway Gallery, Beijing, China, 2005.
Link the World, Lunarbase Gallery, Williamsburg, Brooklyn, NY, 2005.
Cursive, Tenri Cultural Institute of New York, New York, NY, accompanying catalogue, 2005.
Characters, Scene 1 , The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, accompanying catalogue, 2005.
Characters II, Silvermine Guild Galleries, New Canaan, CT, accompanying catalogue, 2005.
D. Dominick Lombardi and Ken Marchione, Branchville Gallery, Ridgefield, CT, 2005.
Art Miami, Lunarbase gallery (Williamsburg), Miami, FL, 2005.
Group Show, Lisa Boyle Gallery, Chicago, IL, 2004.
Grand Opening Exhibition, The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, 2004.
Black & White: D. Dominick Lombardi, Lucio Pozzi, Ed Smith, Time and Space Ltd., Hudson, NY, 2004.
Blast, Branchville Gallery, Ridgefield, CT, 2004. Lisa Boyle Gallery Chicago, Il, 2004.
Painter’s Forms, The Workspace Gallery, New York, NY, curated by Nell Ogorzaly, 2003.
Miraculous: Contemporary Exvotos Paintings, chez TGN, Brooklyn, NY, (curator: Trong Nguyen), 2003.
People, Places, Things, dfn Gallery, New York, NY, 2003.
Drawing Conclusions II, Broadway Gallery, New York, NY, (curators: Jill Connor & Gae Savannah), 2003.
Drawing Conclusions: Work by Artist-Critics, NY Arts magazine gallery, New York, NY, (curated by Judy Collischan), traveling to: Berliner Kunstprojekt, Berlin, Germany, 2003.
Characterism, Williamsburg Art & Historical Center, Brooklyn, NY, 2003.
Six Approaches, Marist Art Gallery, Marist College, Poughkeepsie, NY, Curator: Donise English, 2002.
Ketilhusid Museum, Akureyri, Iceland, traveling to: Pakkhusid, Olafsfjordur, Iceland; Hafnarborg Institute of Culture and Fine Art, Hafnarborg Museum, Hrafnarfurdor, Iceland, 2002.
Reactions, Exit Art, New York, NY, traveling to: Alyce de Roulet Williamson Gallery, Pasadena, CA, 2002.
Re-Figured, South Shore Art Center, Cohasset, MA, Curated by Salvatore Scalora, 2002.
Metro-North: Abstract Painting from the Metropolitan New York Region, Schweinfurth Art Center, Auburn, NY, Curated by Kenise Barnes, 2001.
Gallery Ofeigur, Reykjavk, Iceland, 2001.
Summer Show, dfn Gallery, New York, NY, 2000.
Best of the Art-Ex 95-2000, University of Connecticut Stamford Branch Gallery, Stamford, CT, 2000.
Show Your Work: The Process Behind the Pieces, Pelham Art Center, Pelham, NY, 1999.
ABSOLUT SECRET New York, McKee Gallery, New York, NY, 1999.
Art As Spectacle, Katonah Museum of Art, Katonah, (Thelma Golden, Curator/Director of Branches, Whitney Museum of American Art), NY, 1998.
Interstate I95, John Slade Ely House, New Haven, CT, 1998.
New Art Annual, Stamford Museum, Stamford, CT, (Ann Philbin, Director, The Drawing Center, New York, NY), 1997.
Assemblage: More Than Meets The Eye, Pace University Gallery/Choate House, Pleasantville, NY,1997.
New Art Annual, Stamford Museum, Stamford, CT, (Jill Snyder, Director, Aldrich Museum of Contemporary Art, Ridgefield, CT), 1996.
31st Annual Open Exhibition, San Bernardino County Museum, Redlands, CA, (Elizabeth A. T. Smith, Curator, Museum of Contemporary Art, Los Angeles, CA), 1996.
All-Of-A-Piece, Katonah Museum of Art, Katonah, NY, (Robert Storr, Curator of Painting and Sculpture, Museum of Modern Art, NY), 1995.
15th Annual Faber Birren Color Show, Stamford Museum, Stamford, CT, (Cora Rosevear, Curator, Museum of Modern Art), 1995.
Nardin Galleries, Somers, NY, (curated by Philip Verre, Vivian Raynor and Edward Giobbi), 1995.
Small Works International, Amos Eno Gallery, New York, NY, (curator: Jerry), 1994.
Kunstraum, Cologne, Germany, 1994. Art Chicago International, Chicago, IL, 1993.
Silpakorn University Art Gallery, Bangkok, Thailand, accompanying catalogue, 1993.
Kunstraum, Cologne, Germany, 1993.
Art Cologne, Intenationaler Kunstmarkt, Cologne, Germany, 1992.
Gallery of Zhejiang Academy of Fine Arts, Hangzhou, China, 1992.
Art Cologne, Intenationaler Kunstmarkt, Cologne, Germany, accompanying catalogue, 1991.
Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA, accompanying catalogue,(Jock Reynolds, Director, Addison Gallery of American Art, Andover, MD), 1991.
Neo-Dada, Mid-Hudson Arts & Science Center, Poughkeepsie, NY, (curators Billy Name & Bob Pucci), 1991.
Galex 24, Galesburg Civic Art Center, Galesburg, Il, Curated by Ann Nathan, 1991.
Art Cologne, Intenationaler Kunstmarkt, Portico Gallery, Cologne, Germany, 1990.
75th Anniversary Exhibition (1915-1990), Hudson River Museum, Yonkers, NY, 1990.
14th Annual "small works,” 80 Washington Square East Gallery, New York, NY, (curator: Ivan C. Karp, Director, O.K. Harris Works of Art, New York, NY), 1990.
Art Cologne, Intenationaler Kunstmarkt, Portico Gallery, Cologne, Germany, 1989
Hudson Valley ‘89, Mid-Hudson Arts & Science Center/Barrett House, Poughkeepsie, NY, (curator: Frank Goodyear, Director, Pennsylvania Academy of Fine Arts, Philadelphia, PA), 1989.
Hudson River Open, Hudson River Museum, Yonkers, NY, (curators: Susan & Liese Hilgeman,Assistant Director,The Hudson River Museum), 1989.
Calgene Contemporary Fine Arts Competition, Natsoulas Novelozo Gallery, Davis, CA, (curators: Robert Arneson, Squeak Carnwath and Manuel Neri), 1989.
Grass Roots Exhibition, Gallery at Hastings-on-Hudson, Hastings-on-Hudson, NY, 1988.
Bridgewater/Lustberg Gallery, New York, NY, 1986. EV Gallery, New York, NY, 1986.
Gambling Show, Public Image Gallery, New York, NY, 1986.
Tar Beach, Native Sun, New York, NY, 1986.
Tenth Anniversary Exhibition, Westbroadway Gallery, New York, NY, 1983.
Westbroadway Gallery, New York, NY, 1982.
Discovery ‘82, Bridge Gallery, White Plains, NY, 1982.
Westbroadway Gallery, New York, NY, 1979.

Affiliations:
-Member: (AICA) International Association of Art Critics, 2001 - 2007.
-Board Chair: Castle Gallery/College of New Rochelle, New Rochelle, NY, 1996-8.
-Art Advisor: Pfizer at Doral Arrowwood / Educational Center, Purchase, NY, 1997- 2000.

Published Articles and Essays:

-Feature Writer: Public Art and Ecology magazine, Beijing, China, 2011       -Critic: Art Experience NYC, New York, NY, 2011.

-Catalog Essay: Gloria Garfinkel, Hudson Opera House, A Survey: Gloria Garfinkel, Hudson, NY 2011.

-Catalog Essay: Circumnavigating the Globe: Paintings by Bendel Hydes, Tenri Cultural Institute, New York, NY, 2010.

-Critic: Art in Asia, New York, Seoul, 2007-present. 

-Catalog Essay: Contemporary Korean Artists in New York, The New York art scene or at least, the way I and others see it, South Korea, 2007

-Feature Writer: & magazine, Miami, Amsterdam, Dubai and Bombay, 2006.

-Critic: culturecatch.com, 2006 to present.                                             -Catalog Essay: Keeping the Real(ist) Fire Burning, Seventh Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA, 2005.                 

-Critic & Feature Writer: dart (U.S. Editor), Toronto, Canada, 2005-present. -Critic: The New York Times (Westchester Section), New York, NY, 1998 to 2005.                                                                                               -Critic (Section Editor): NYARTS magazine, New York, NY 2004 to present.   -Critic & Feature Writer: Sculpture magazine, Washington, D.C., 1999 to present. 

-Feature Writer: Sculpture Review, New York, NY, 2004 to present.    

-Critic: Art Papers, Atlanta, Georgia, 2004.                                             -Critic: Artlies, Houston, TX, 2004 to present. -Feature Writer: Juxtapoz, San Francisco, CA, 2002.                                                                     -Catalog Essay: Robert Dell, Hitavaettir Thermal Guardians, Reykjavik Art Museum, Harbour House, Reykjavik, Iceland, 2001.                                 -Catalog Essay: Bendel Hydes, XXX Festival International De La Peinture, Chateau-Muse Grimaldi, Cagnes-sur-Mer, France, 1998.                             -Critic: Art New England, Brighton, MA, 1997-99.                                     -Critic: ARTnews, New York, NY 1997.                                                   -Critic: New Art Examiner, Chicago, Il, 1997-98. 

-Critic & Feature Writer: The Record-Review, Bedford/Pound Ridge, NY, 1995-99.                                      

-Critic & Feature Writer: Night, New York, NY, 1996-7.                            

-Feature Writer: Family Publishing Group, Inc., Westchester and Connecticut, 1996-7.                                                                           -Catalog Essay: Non-Objective Art, And Its Legacy, for the traveling exhibition: Champions of Modernism: Non-Objective Art of the 1930s & 40s and Its Legacy., 1996.                                                                         -Feature Writer: The Advocate, Stamford, Connecticut, 1996. 

Selected Curatorial: 

-Tache Gallery, In Their Own World, New York, NY, 2012.

-Kim Foster Gallery, Monkey Spoon, New York, NY, 2010.

-The Tenri Cultural Institute, Bendel Hydes: Circumnavigating the Globe 2008-2010, New York, NY, 2010.

-Kim Foster Gallery, Anonymous, New york, NY, 2010.-The Shore Institute of Contemporary Art, Nature Calls, Long Branch, NJ, 2010. 

-Artlexis, Suspect Reason, Brooklyn, NY, 2009.

-The Lab for Installation and Performance Art, Strangelove, New York, NY 2009.
-Florida Atlantic University GalleriesDesigning Intelligence?: Intelligent Design Project IV, Boca Raton, FL. 2009.
-Galeria Janet Kurnatowski, Bóm: How art can disrupt, reorient or destroy, Brooklyn, NY, 2008.
-Joe Bar, Art Noir, Seattle, WA, 2007.
-the lab gallery, The Roger Smith Hotel, New York, NY, The Best of Westchester, 2007.
-Omega Institute Exhibition, Sheraton New York Hotel, Fear is a Four Letter Word, New York, NY,2007.
-the lab gallery, The Roger Smith Hotel, New York, NY, Speaking in Strings: Ken Butler and Kurt Coble, 2006.
-the lab gallery, The Roger Smith Hotel, New York, NY, Scapes, 2006.
-The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, Critics Select II, 2005.
-the lab gallery, The Roger Smith Hotel, New York, NY, The Reality Show, 2005.
-the lab gallery, The Roger Smith Hotel, New York, NY, East Vs West, 2005.
-The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, Over the Top - Under the Rug, 2005.
-Broadway Gallery, New York, NY, FUNKADELICIDE, 2005
-Viscaya Lounge, New York, NY, One Night Stand- The Sex Show, 2005.
-The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, Critics Select, 2005.
-art.com, The Impact of War, an online exhibition, 2004.
-Castle Gallery, College of New Rochelle, New Rochelle, NY: The Waking Dream, 1998; Lights – Sound - Action!, 1998; The Tradition of Icons, 1997; Champions of Modernism: Non- Objective Art of the 1930s & 40s and Its Legacy, 1996, Traveling through 1998 to: Mary Washington College Galleries, Fredericksburg, VA, Gibbes Museum of Art, Charleston, SC, 1997; Sunrise Art Museum, Charleston, WV, 1997; Brevard Museum of Art and Science, Melbourne, FL, 1998; Polk Museum of Art, Lakeland, FL, 1998.
-Pelham Art Center, Pelham, NY, Obsession (Food), April 3 - May 30, 1998.
-Choate Gallery, Pace University, Pleasantville, NY, Assemblage: More Than Meets The Eye, 1997.
-Hiram Halle Gallery/Pound Ridge, NY, New Collage, November 3 - November 23, 1996.
-Noel Fine Art/Bronxville, NY, Bronxville, Five Artists, 1991, NY, 1991.

Selected Lectures, Talks, Panels, Travel Writing and Grant Panels:
-Gallery Talk: Advance Screening of Episode 2: Fantasy/Season 5, ART 21 – Art in the Twenty-First Century, Housatonic Museum of Art, Bridgeport, CT, 2009.
-Grant Panelsit: Alliance for Young Artists & Writers, Gold Medal Grant selector for The Scholastic Art & Writing Awards, 2008.
-Travel Writing, Seoul, South Korea, 2008.
-Travel Writing, Tokyo, Japan, 2008.
-Book Review, A Dose of Rock 'n' Roll, by Nancy Lee Andrews, 2008.
-Visiting Artist and Critic: Indianapolis, IN, 2007.
-Guest Lecturer: Intelligent Design Project, Silvermine Guild Galleries, New Canaan, CT, 2007.
-Travel Writing, Miami, FL, 2006
-Guest Lecturer: Defining Success, University of Texas at San Antonio, San Antonio, TX, 2006.
-Travel Writing, Chicago, Il, 2006.
-Panelist: 2nd Annual San Antonio WAX (Writers and Artists Exchange), San Antonio, TX, 2005.
-Travel Writing, Messina, Italy, 2005
-Visiting Artist and Lecturer: The Post Apocalyptic Tattoo, Virginia Commonwealth University, Richmond, VA, 2005.
-Visiting Artist and Critic: Artist critiques, Silvermine Guild Galleries, New Canaan, CT, 2005.
-Panelist: Character - Scene 1, SICA (The Shore Institute of the Contemporary Arts), Long Branch, NJ, 2005.
-Panel Moderator: Critics Select, SICA (The Shore Institute of the Contemporary Arts), Long Branch, NJ, 2005.
-Guest Lecturer and Artist: The Post Apocalyptic Tattoo, Branchville Gallery, Branchville, CT, 2005.
-Visiting Artist and Critic: Virginia Commonwealth University, Richmond, VA, 2005.
-Travel Writing, Reykjavic, Iceland, 2004
-Guest Speaker: An Evening of Writing and Art, NY Arts Gallery, NY, 2003.
-Guest Lecturer: The Post Apocalyptic Tattoo: Art of a Comix Centric, Visual Arts Seminar Program, SUNY Stonybrook, 2003
-Panelist: 1st Annual San Antonio WAX (Writers and Artists Exchange), San Antonio, TX, 2003.
-Panelist: Careers in Contemporary Art, The Aldrich Museum of Contemporary Art, Ridgefield, CT, 2001.
-Grant Panelist: Special Opportunity Stipend, New York Foundation for the Arts (Mid-Hudson Region), Garrison Art Center, Garrison, NY, June, 1998.
-Workshop Instructor: Reverse Collage Technique, Stamford Museum, Stamford, CT, 1998.
-Grant Panelist: Bronx Recognizes Its Own Fellowship Awards (BRIO) , Bronx Council on the Arts, Bronx Museum of Art, Bronx, NY, May 1996.
-Featured Artist/Cable Television interviews: State of the Art, WDMC-TV, 12/6/89; WDMC-TV, 10/11/90; Cable Vision News, WITV, 10/14/90.
-Guest Lecturer: Neo-Dada, Fine Arts Gallery at Westchester Community College, Valhalla, NY, 1989.
-Guest Lecturer: Beginning a Painting, New Rochelle Art Association, New Rochelle, NY, 1981. Selected Books, Grants,

Magazines and Awards:
-Emily Hall Tremaine Foundation Grant, Intelligent Design Project (prints), 2006.
-Featured Images and Poem: ANIMAL, Issue 6/Instincts, 2005, pp.102-105.
-Excellence in the Arts award, The First Annual Friends of SICA Awards Dinner, The Shore Institute of Contemporary Arts, Long Branch, NJ, 2005.
-Featured artist/poet: Blurred Vision 1 -4, Blurred Books, Pod Publishing, NY, 2005. (cover and interior pages)
-Visiting Critic and Artist, Sponsor: Virginia Commonwealth university, Richmond, VA, 2004 & 2005.
-Writing Residencies in Akureyri and Reykjavik, Sponsor: Reykjavik Art Museum, Reykjavik, Iceland, 2001 & 2004.
-New American Paintings, number 32, Northeastern, The Open Studio Press, Wellesley, MASS, 2001.
-Special Opportunity Stipend, New York Foundation for the Arts (Mid-Hudson Region), Garrison Art Center, Garrison, NY, Feb., 1999.
-Dorothy Mayhall Memorial Award, Stamford Museum, New Art Annual ‘97, Stamford, CT, 1997 (curator: Ann Philbin)
-Book Cover Art: Thoughts of an Everyday Woman, An Unfinished Urban Folktale, Blind Beggar Press, Bronx,NY,1995

Selected Bibliography:
-Graham Kates, "Art That Packs a Punch," Riverdale Press, February 9, 2012.

-Bradley Rubenstein, "Crowds," culturecatch.com, December 16, 2010.

-Jonathan Goodman, "D. Dominick Lombardi: Central Galleries," Sculpture magazine, November, 2010.

-Mary Hrbacek, "Tattooed Tokyo by Dominick Lombardi," New York Art Beat, January, 2010.
-Robert C. Morgan, “D. Dominick Lombardi @ The Housatonic Museum of Art,", WHITEHOT, Dec. 2009
-Lauren Kaufman, “Re-digesting Kitsch,” NYARTSmagazine, April, 2009.
-Stanford Kay,” Nostalgia for the Present,” d’ART International, Spring/Summer 2009
-Christopher Hart Chambers, “Hot Tattoos on Graphics Action at Brooklyn Gallery,” culturecatch.com, March 20, 2009
-Michael Wilson, “Apocalyptic Pop,” Time Out New York, January 15-21, 2009, Art Review.
-Mary Hrbacek, “Apocalyptic Pop,” the M magazine, February 2009, pp 22-23.-Matty Jankowski, "Skin City - The Art of the Tattoo," Skin & Ink magazine, October, 2008.-Michael Johnson, "San Antonio Report: The Post Apocalyptic Tattoo: A Ten Year Survey," NYARTSmagazine, July 2008 -Dan Goddard, “Grotesquely charming mutants are artist’s glimpse into the future," San Antonio Express, February, 2008.
-Jennifer Herrera, "A little tattoo-art love", San Antonio Current, CURBLOG, Feb, 2008.
-Elizabeth Stevens, “VanBrunt Gallery,” May 7, 2007.
-Billie Waiteh, “Kaleidoscope at The Basement Gallery,” NYARTSmagazine, November, 2006.
-James Hilger, “Groovy,” NYARTSmagazine, November, 2006,
-Caryn Capotosto, “Summer Group Exhibition,” Flavor Pill.
-Steven Psyllos, “Blurred Vision: New Narrative Art”, NYARTSmagazine, July/August, 2006, pp 117.
-Douglas Michael, “The Tao of Tattoos,” The Record-Review, Bedford/Pound Ridge, NY, 1/6/06, pp. 15 & 16, Scarsdale Inquirer, January 6, 2006, pp. 13 & 15.
-Hide Maegawa, “D. Dominick Lombardi,” The New York Gaho, 1/06, pp. 20 &21. (cover & 2 pages)
-Carly Berwick, “D. Dominick Lombardi: Lunarbase,” ARTnews, October, 2005, pp 107
-Ben Davis, “A Future Present”, artnet.com, 6/7/05.
-Fredric Koeppel, “See reflections of who wears the art in ‘INKED!’ “, Commercial Appeal, October 21
-Jill Conner, Dominick Lombardi: “The Post Apocalyptic Tattoo,” NYARTSmagazine,July/Aug‘05, pp. 63.
-Rieko Fujinami, Poetry and Thought, No.227, Vol. 3, March 2005, pp. 74.
-Germaine Keller, review of “The Artist's Lament,” ZING, Issue #20, November, 2005 pp. 311 - 312.
-Rodney Dickson, “Artist 2 Artist”, NYARTSmagazine, May/June, 2005, pp 69.
-L. P. Streifeld, “Restoring the Character Balance at Silvermine,” The Advocate & Greenwich Time, April 3, 2005, pp. D3 - D4.
-L. P. Streifeld, “Transformation or Death at Branchville Gallery,” The Advocate & Greenwich Time, January 9, 2005, pp. D3-D4.
-Claire Lieberman, “All Is Not What It Seems,” d’ART International, Fall/Winter, 2004.
-Benjamin Genocchio, “Skeletons of Sweetness And India-Ink Mutants,” The New York Times, June 20, 2004, pp. NJ 9
-L. P. Streifeld, “New Gallery Opens with a Blast,” The Advocate & Greenwich Time, 6/6/04, pp. D3 - D4.
-William Zimmer, “Narratives in Charcoal and Ink,” The New York Times, 12/1/02, pp. 10 (we)
-Maureen Mullarkey, “November, In & Out Of Town: Watercolor at the New York Studio School; Drawings at Marist College,’ http://www.maureenmullarkey.com/essays/marist.html, Nov,02.
-Katherine Gass, “Re-Figured, South Shore Art Center,” Art New England, September 2002.
-William Zimmer, “Form, Color and More from 25 Artists,” The New York Times, 8/13/00, pp. 17 (ct).
-Shadi Sheybani, “Full Bellies vs. Fat Hips –‘Obsession (food)’ at Art Center”, Women’s News, May, 1998, pp. 19.
-Vivien Raynor, “Show With Images of Food, but Not for the Hungry,” The New York Times, 4/6/98, pp. 20(we).
-Georgette Gouveia, “The Art of the Meal,” Gannett Newspapers, April 9, 1998, pp. 1C.
-William Zimmer, “The 20th Century, Two Viewpoints in Sculpture and Collage,”The New York Times, January 18, 1998, pp. 18 (ct).
-Vivien Raynor, “Professionals Dominate in Show With Outsiders at Pace Gallery,” The New York Times, April 6, 1997, pp. 18 (wc).
-Vivien Raynor, “A Show Celebrating Icons, But Not Just Figural or Sacred,” The New York Times, 12/22/96, pp. 12 (wc).
-Georgette Gouveia, “Art of Today and Tomorrow Showcased at Castle Gallery,” Gannett Newspapers, (March 24, 1996) pp. 6C
-Roberta Hershenson, “The Role Slides Play in Judging Art,” The New York Times, 9/30/90 pp. 19 (wc).
-Helen Ganz Spiro, “Triple Celebration Held at the Museum,” Gannett Newspapers, 9/11/90 pp. 3C.
-Kathie Beals, “Shades of Dada,” Gannett Newspapers, (March 26, 1989) pp. 5F. -E. C. Lipton, “A Different Satire,” Art Speak, (May 16, 1986) pp. 1.
-Kathie Beals, “Lombardi’s New Style: Pushing Paint Around,” Gannett Newspapers, 2/1/85 pp. 9C.
-Helen Steiner, “On People,” Westchester Spotlight, (December 1983) pp. 33 -Paul Kiefer, “Westbroadway Gallery Celebrates its Tenth Year,” Art Speak, (June 9, 1983) pp. 8.
-Vernita Nemec, “Disturbing Images,” Art Speak, (June 24, 1982) pp. 3.
-Kathie Beals, “Tuckahoe Artist Moving on to Lighter Things,” Gannett Newspapers, (10/2/81) pp. 11C.
-Kathie Beals, “New Galleries Restoring Fine Arts Concept,” Gannett Newspapers, (June 22, 1979) pp. 7D. -Don Gray & Jessie Benton Gray, “Reviews,” New York Arts Journal, (February 1979) pp. 35.

Selected Judge/Juror:
-Korea Gallery, New York, NY, 2007.
-Westchester Biennial ‘98 and ‘06, Castle Gallery, College of New Rochelle, New Rochelle, NY, 2006.
-Beauty and the Beast, Silvermine Guild Gallery, New Canaan, CT, 2005.
-Ceilings and Floors, Anderson Gallery, Katonah, NY, 2005.
-Westchester Biennial ‘98, Castle Gallery, College of New Rochelle, New Rochelle, NY, 1998.
-No Place Like Home, 1997 Art Alumnae/i Juried Art Exhibit, College Center Exhibit Hall, CNR, 1997.
-Jules Bauer Competition, New Rochelle Art Association, New Rochelle, NY, March 1996.

Teaching:
-Senior Adjunct Professor: Painting, Drawing and Life Drawing, Westchester Community College, Valhalla & Peekskill, NY, 1988 to present.
-Art Instructor: Painting, Mixed Media and Life Drawing, Art Life Studios / Port Chester, NY, 1989-91.
-Mentor: Gifted Handicapped Mentor Program, Boces Southern Westchester, White Plains, NY, 1989-90.

Selected Collections:
Los Angeles County Museum of Art, Los Angeles, CA
John and Lyn Fischbach, NY
Giannina Braschi, New York, NY
Queens Museum of Art, Queens, NY
The Library of Congress, Washington, D.C. Solomon Center for Learning and Technology, Empire State College, SUNY, Saratoga Springs, NY Reinhard Dieckert, Cologne, Germany Alfred Bioleck, Cologne, Germany Herbert E. Nass, New York, NY Siegbert and Uschi Schneider, Ettlingen, Germany Noel Dimalanta, Chicago, IL Andrew Zipkes, Chicago, IL E. Koepp, Essen, Germany Michael Black, New York, NY Mary Louise Pierson, Bedford Center, VT The Robert Jones Estate, New York, NY